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omniprésents
on both sides of this concrete boundary
The workshop becomes a workplace and a device
En liant les paysages à un temps choisi
Celine Croze utilise les codes
Soleil noir ou l'inconscient du directeur. Library of Congress, F.S.A. # 8a03356a Year, location of shooting:Etats Unis, 1937-1942/2016 omniprésentsThe Japanese call it Ao Ba, the blue leaf. A very nice name for a simple tarpaulin. To detect this subtle expression of the Japanese soul through the life of a plastic tarpaulin, one undoubtedly needed an external eye predisposed to this kind of poetic reading of the world. Gifted with sensitivity and humor, the photographer Bertrand Desprez allowed himself to be surprised during his numerous travels in the Japanese archipelago by these astonishing
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